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Dial Tone Eternal: The Weekend I Fell in With Britain's Fax Resistance

Frank Popp
Dial Tone Eternal: The Weekend I Fell in With Britain's Fax Resistance

Photo: Wilton Ramon de Carvalho Machado, CC BY-SA 3.0, via Wikimedia Commons

It started, as most of my worst decisions do, with a Facebook group I joined at 1am.

Fax Users of Great Britain (Unofficial). Four hundred and twelve members. A profile picture of a Brother machine saluting a Union Jack. And a pinned post that read, in its entirety: "No gatekeeping. No e-signatures. Just paper, tone and truth. — Admin (Trevor)."

I joined to mock it. I want to be clear about that. I joined the way you slow down for a car crash, except the car crash was a man in Rotherham who still sends his Christmas cards with a covering fax sheet.

Three weeks later I was in his conservatory, holding a warm sheet of thermal paper, and something in me had changed.

Meet Trevor, Age 61, Enemy of Progress

Trevor Wallis runs a small motor spares business from a unit off the A617 and, in his words, "a communication empire from the shed." The empire is a Fujitsu fax machine from 1994 that he bought second-hand from a solicitor's office and has maintained since with the tenderness most men reserve for grandchildren.

"Everyone told me email would kill it," he told me, making tea. "Email didn't kill it. Email just made everything worse and gave everyone a folder called 'Inbox (2,847)'. My inbox has one tray. It's full or it isn't. There's wisdom in that."

I asked him who he actually faxes. I expected one or two sad names.

He produced a list. A literal, laminated list. A wholesaler in Hull. A scrap dealer in Walsall. His brother in Benidorm, who receives a fax every Sunday "so he knows the football results are real and not one of them AI jobs." A local GP surgery that, famously, never got rid of its fax line because the NHS runs on fax the way the ocean runs on salt.

"The NHS still faxes," Trevor said, with the quiet triumph of a man who has been laughed at for thirty years and has outlived every laugher. "So who's the daft one?"

I had no answer. I had a biro and he made me write my number on his list, and I only realised later that he'd faxed it to himself while I wasn't looking. I'm in the machine now. I'm part of the network.

The Museum of Refusal

Trevor isn't alone, and that's what got me. Once you start looking, Britain is absolutely riddled with holdouts, and they find each other the way owls find other owls.

There's Denise in Coventry, who maintains a CD wallet organiser containing 340 discs in meticulous alphabetical order, including a Celine Dion album filed under "D" for "defiant." She will not use streaming. "Streaming is renting your own taste," she told me over the phone, which is the hardest anyone has ever gone on Spotify while I was holding the receiver.

There's the man — and I have verified this — who keeps the 1998 Argos catalogue in his downstairs loo purely "for reference," and has settled two separate disputes with it. One involved a duvet. One involved a neighbour, a ladder, and what "load-bearing" means in a legal sense.

And there's a whole subculture of people who kept their Minidisc players, who gather in a Discord server (the irony is acknowledged, mourned, and accepted) to trade recordings like monks illuminating manuscripts.

What unites them isn't nostalgia, exactly. I went in expecting nostalgia. Nostalgia is what you feel about things that are gone. These things aren't gone. They're in the shed, working, slightly warm to the touch.

What unites them is something more stubborn: the belief that a thing you can hold, that can jam, that requires effort, means more than a thing that is infinitely available. The fax screeches. The CD skips. The Argos catalogue has laminated pages that make a specific noise when you turn them, a noise that is apparently legally binding in the West Midlands.

"New things don't fail," Trevor said, gesturing at his machine with genuine love. "So you never trust them. My fax fails every fortnight. I know exactly what it's made of."

I wrote that down. I'm not proud of how earnestly I wrote that down.

The Point of No Return

Here's where I confess the ending, because you've already read the subheading and you know what kind of person I am.

I got home from Rotherham on the Sunday. On the Monday I told myself I was researching a follow-up. On the Tuesday I was on a refurbishment website looking at a Sharp UX-P100. On the Wednesday a package arrived containing a fax machine, a ream of A4, and a note from Trevor that just said: "Welcome. Line's free after 6."

I don't have anyone to fax. That hasn't stopped me. I faxed my own mobile number, which doesn't work. I faxed a photograph of my cat to Trevor, who faxed back a rating out of ten (eight — "good ears, slightly anxious"). I faxed the empty page to my dad, who rang me forty minutes later to say he'd received "a blank bit of paper" and did I want the grass cutting this weekend. Communication achieved. Connection established. The system works.

There's a version of this article where I make fun of all of them, where the fax machine is a punchline and Denise's CD wallet is a quirky little tombola of the past. I sat down to write that version. But here's the thing about the fax resistance: they're not losing, because they were never fighting. They're just standing still while the world sprints past, and standing still, it turns out, is a legitimate strategy. The dial tone hums. The paper feeds. Somewhere in Hull, a wholesaler hears the screech and knows, with total certainty, that a real person named Trevor is on the other end.

No gatekeeping. No e-signatures. Just paper, tone and truth.

I'm in the group now. Admin (Trevor) says I can have mod rights in the spring.

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